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Coming in 2018: The Keepers / Help Meet Our Match

Coming in 2018: The Keepers / Help Meet Our Match

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“People are always like, ‘Tell us why you like libraries.’ And it’s like why you like food — because it keeps you alive.”   — Colson Whitehead

Dear Friends,

Greetings at year’s end. We write to wish you well and to thank you for your support and spirit. We are about to embark on a new NPR and podcast series, The Keepers — stories of activist archivists, rogue librarians, curators, collectors and historians. Keepers of the culture and the cultures and collections they keep. Guardians of history, large and small, protectors of the free flow of information and ideas, eccentric individuals who take it upon themselves to preserve some part of our cultural heritage. The Keepers will premiere on Morning Edition, with a listenership of some 14 million people, early in 2018.

A generous group of donors, The Council of Keepers, including Susan Sillins, Susie Franklin, Barbara & Howard Wollner, has committed a matching challenge of $30,000 to bring these stories to air and inspire our supporters. Please help us raise this match.

This new series promises to be one of our most timely and powerful — a series of truth-seeking, richly layered, lushly produced stories that you, our community, make possible. We ask for your support for this new, compelling collection of stories and invite your tips and suggestions for who and what needs chronicling.

Please make a tax-deductible contribution to The Kitchen Sisters Productions today. With The Council of Keepers match your gift will be doubled.

Thank you for supporting the stories.

Love,
Nikki & Davia

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Photo courtesy of Public Library of Cincinnati & Hamilton County

Ep #84: Levee Stream Live from New Orleans

Ep #84: Levee Stream Live from New Orleans

Subscribe to the podcast: iTunes | Stitcher | RSS

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Nikki, Davia, host Cole Williams, Jamal Cyrus from Otabenga Jones & Associates

 

Levee Stream— a live neighborhood pop-up, Cadillac, radio station installation in New Orleans. Presented by Otabenga Jones & Associates and The Kitchen Sisters in collaboration with Project& as part of Prospect.4 New Orleans, an international exhibit of 73 artists creating artworks and events throughout New Orleans.

Part block party, part soap box—Levee Stream is a lively mix of music, DJs, and conversations with artists, activists, civil rights leaders, neighborhood entrepreneurs and visionaries taking place in the back seat of a cut-in-half 1959 pink Cadillac Coup de Ville with giant speakers in the trunk on Bayou Road, one of the oldest roads in the city.

Hosted by WWOZ DJ Cole Williams the show features interviews with Robert King and Albert Woodfox, members of the Angola 3 who were released from prison after decades of living in solitary confinement. Civil Rights pioneers Leona Tate and A.P. Tureaud Jr. Prospect.4 curator Trevor Schoonmaker and artists Hank Willis Thomas, Maria Berrio, and Jeff Whetstone. With music by legendary Hammond B3 organ player Joe Krown, contemporary jazz luminaries Kidd and Marlon Jordan,The Jones Sisters, DJ RQ Away and DJ Flash Gordon Parks.

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DJ RQ Away

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Davia with Jeff Whetstone

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Davia with Prospect.4 Artistic Director Trevor Schoonmaker

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The Jones Sisters

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Houston’s DJ Flash Gordon Parks

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Joe Krown

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Marlon Jordan

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Jamal Cyrus from Otabenga Jones & Associates with Hank Willis Thomas

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History of Conquest by Hank Willis Thomas

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Wildflowers by Maria Berrio

Support the Stories / An Archival Calling

Support the Stories / An Archival Calling

Photo postcard of Annie Wooten, circa 1920s from the Amistad Research Center, Tulane University

Photo postcard of Annie Wooten, circa 1920s from the Amistad Research Center, Tulane University


“My archival calling was, I believe, part of my spiritual calling.”
-Brenda Billups Square

Last week, we shared a story from New Orleans. The story of Leona Tate, who as a six-year-old was one of the first African American children to integrate an all-white school in New Orleans. Today we share a moment from a story about Brenda Billups Square, co-pastor of Beecher Memorial Congregational United Church of Christ and an archivist documenting New Orleans.

In 2018, we will be spending many hours with people like Brenda, as we embark on a new series for NPR called The Keepers — stories of activist archivists, rogue librarians, collectors, curators and historians — keepers of the culture and the culture and collections they keep.

We are asking for your support to help create this rich, surprising, timely series about the people and stories behind collecting and protecting our history and culture.

donatenow

Giving Tuesday / Support the Stories

Giving Tuesday / Support the Stories

U.S. Marshals escort Leona Tate, Gail Etienne, and Tessie Prevost from McDonogh #19, Nov 1960.


It’s Giving Tuesday and, as in years past, we’d like to give you a story.

For the past several months we’ve been traveling to New Orleans, gathering stories and sound for “Levee Stream,” a pop-up radio station installation collaboration with Otabenga Jones & Associates and Project& for the citywide exhibit Prospect.4. We’ve woven these interviews and recordings into an epic Sonic Prayer Flag, full of New Orleans voices, shards of sound and archival audio. Today we’d like to share a strand of this prayer flag, the story of Leona Tate…

November 14, 1960 — Four six-year-old girls, flanked by Federal Marshals, walked through screaming crowds and policemen on horseback as they approached their new schools for the first time. Leona thought it must be Mardi Gras. Gail Etienne thought they were going to kill her.

We are committed, now more than ever, to creating documentaries that chronicle untold stories of American culture and tradition, to keeping the nation’s airwaves vibrant, imaginative and accessible, and to building community through storytelling. It is you, our community, that makes these stories possible.

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Kitchen Sister Nikki with Leona Tate, Prospect.4: Levee Stream, New Orleans, Nov 2017

Kitchen Sister Nikki with Leona Tate, Prospect.4: Levee Stream, New Orleans, Nov 2017

Ep #83: Chicken Pills – A Hidden World of Jamaican Girls

Ep #83: Chicken Pills – A Hidden World of Jamaican Girls

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Every culture has its idealized woman, its standard of beauty that is valorized. Everywhere women are altering themselves in small and major ways to attempt the look that is celebrated. History is full of methods, home grown and scientific, used to attain these ideals— footbinding, corsetting, liposuction, emaciation, molding of the skull, face lifts, lip stretching…

In this story Hidden World of Girls travels to Jamaica — where cosmetic folk treatments and changing ideals of beauty are part of a the national debate going on in the music, the dancehalls and on the streets.

In Jamaica, especially in poorer areas, there is a saying among men, ” I don’t want a “maga” (meager) woman.” A maga woman, a slight or thin woman, says to the world that a man is poor and doesn’t have means to provide for her. A larger woman is a way of showing you have means and that you can afford to keep this woman fed.

“If you have no meat on your bones the society can’t see your wealth, your progress, your being,” said Professor Sonjah Stanley-Niaah. “This African standard of beauty, and it’s very much present in Jamaica. The body must be healthy and that health is expressed in some amount of fat. You musn’t just be able to slip through the arms of a man. The healthy body girl is anywhere from 160 to 210 pounds.So there’s a high level of interest and activity around modifying the body.”

In the 1990s, some women in Jamaica, longing to be large, started taking “Chicken Pills,” hormones sold to plump up the breasts and thighs of chickens.

In Jamaica we talked with twenty-one year old Raquel Jones who was cast in an independent film called “Chicken Pills,”by Jamaica born playwrightStorm. The film is about two teenage girls. One is getting more attention from the boys in the class. The other character, Lisa, is having self esteem problems so she turns to the chicken pills. “Here in Jamaica it’s pressure on teenage girls and women. We do stuff that increases these physical appearances, getting our bodies to look a certain way.

FIRST DAY OF SCHOOL, 1960, NEW ORLEANS

FIRST DAY OF SCHOOL, 1960, NEW ORLEANS

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U.S. Marshals escort Leona Tate, Gail Etienne, and Tessie Prevost from McDonogh #19, November 14, 1960.

U.S. Marshals escort Leona Tate, Gail Etienne, and Tessie Prevost from McDonogh #19, November 14, 1960.

 

November 14, 1960 — Four six-year-old girls, flanked by Federal Marshals, walked through screaming crowds and policemen on horseback as they approached their new schools for the first time. Leona Tate thought it must be Mardi Gras. Gail Etienne thought they were going to kill her.

Four years after the Supreme Court ruled to desegregate schools in Brown v Board of Education, schools in the south were dragging their feet. Finally, in 1960, the NAACP and a daring judge selected two schools in New Orleans to push forward with integration — McDonogh No.19 Elementary and William Frantz.

An application was put in the paper. From 135 families, four girls were selected. They were given psychological tests. Their families were prepared. Members of the Louisiana Legislature took out paid advertisements in the local paper encouraging parents to boycott the schools. There were threats of violence.

When the girls going to McDonogh No. 19 arrived in their classroom, the white children began to disappear.
One by one their parents took them out of school. For a year and a half the girls were the only children in the
school. Guarded night and day, they were not allowed to play outdoors. The windows were covered with brown paper.

The story of integrating the New Orleans Public schools in 1960 told by Leona Tate, Tessie Prevost
Williams, and Gail Etienne Stripling, who integrated McDonogh No.19 Elementary School, and retired Deputy U.S. Marshals Herschel Garner, Al Butler, and Charlie Burks who assisted with the integration efforts at the schools.

Leona Tate in 2017. Photo by Deborah Luster.

Leona Tate in 2017. Photo by Deborah Luster.

 

McDonogh No. 19 in 2017. Photo by Nikki Silva.

McDonogh No. 19 in 2017. Photo by Nikki Silva.

 

This story is part of Levee Stream, our Prospect 4 New Orleans project in collaboration with Otabenga Jones and Associates.

Made possible in part by Ruth U. Fertel Foundation and Project&

Special Thanks to:

Leona Tate — Leona Tate Founation for Change 

Keith Plessy and Phoebe Fergussen — PlessyandFerguson.org

Brenda Square — Amisted Research Center

Brenda Flora — Audiovisual Archivist at Amisted Research Center, Tulane University

Tulane University and their Through a Crowd Bravely Program— Several of the voices in our story were recorded on November, 2010 at Tulane University as part of a reunion and panel discussion on the 50th Anniversary of the integration of public schools in New Orleans. Voices featured from these archival recordings include: Leona Tate Tessie Prevost Williams, Gail Etienne Stripling, and retired Deputy US Marshals Charlie Burks, Herschel Garner and Al Butler. This gathering was the first time the women and the marshals had reunited since November 1960.  

For the WSBN archival news footage thanks toTaylor Chicoine and Ruta Aeolians, Brown Media Archives & Peabody Awards Collection UGA, Special Collections Library

Thanks to National endowment for the Humanities and the National Endowment for the Arts

Levee Stream: A Pop-Up Radio Station Installation, Nov 19, Opening Weekend, Prospect 4

Levee Stream: A Pop-Up Radio Station Installation, Nov 19, Opening Weekend, Prospect 4

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On Sunday afternoon, November 19th, opening weekend of Prospect.4, the legendary Houston arts collective, Otabenga Jones & Associates, Peabody Award winning NPR producers, The Kitchen Sisters and the acclaimed activist arts organization Project& come together on Bayou Road to present Levee Stream a day-long, street-corner, pop-up, Cadillac radio station-installation.

Part block party, part soapbox, Levee Stream is broadcasting live from noon til five from a 1959 Cadillac Coup de Ville — a lively mix of conversation and interviews with an array of international artists in town for Prospect.4, Bayou Road neighborhood regulars, entrepreneurs and visionaries, New Orleans artists and activists, live music, DJs, and a five hour “sonic prayer flag” that will unfurl across the afternoon and the neighborhood full of New Orleans voices, shards of sound and archival audio.

Come join this live five-hour afternoon event with NPR’s Kitchen Sisters and Otabenga Jones hosted by singer, bandleader, WWOZ DJ and arts activist, Cole Williams. Three DJs will be spinning across the day — New Orleans’ DJ RqAway (the people’s DJ), Matt Knowles of Domino Sound Record Shack, and Houston DJ, collector and ethnomusicologist, DJ Flash Gordon Parks. A few of the Prospect artists coming to be interviewed at the Cadillac include Hank Willis Thomas, John Akomfrah, Xaviera Simmons, Kiluanji Kia Henda, Monique Verdin, Donna Conlon & Jonathan Harker, Cauleen Smith, Jeff Whetstone, Penny Siopis, and Odili Donald Odita. Gia Hamilton and artists from The Joan Mitchell Center will also be heard “on air” at the Caddy.

A stunning array of New Orleans artists, activists, chefs, bakers, architects appearing live in conversation at Levee Stream include: social justice activists, Robert King and Albert Woodfox of the Angola 3, Keith Plessy and Phoebe Ferguson of the Plessy & Ferguson Foundation, the legendary DJ Soul Sister from WWOZ and beyond, Skylar Fein and skaters from Parisite Skate Park, Leona Tate of the McDonogh 3, Vera Warren-Williams from Community Book Center, Alon Shaya and many more.

Live music will fill the day from long-standing free jazz duo, Alvin Fielder & Kidd Jordan, The Jones Sisters with their deep gospel sound, Cole Williams, “Chicken Violins” from The Homer Plessy School led by Rebecca Crenshaw, Zion Trinity and Joe Krown on Hammond B3.

Levee Stream is a day of close listening, unusual encounters, neighborhood revelation and food. Of course food.

All kinds of cooking, food and drink will be part of the day from Pagoda Cafe, Coco Hut, The Half Shell, Alon Shaya & Pomegranate Hospitality, Graison Gill & Bellegarde Bakery, Cal Peternell formerly of Chez Panisse, Charlie Hallowell of Pizzaiolo and Boot & Shoe ServiceUncorked and the New Orleans Ice Cream Company.

Meet us on the corner. Hear the stories, voices, visions, issues and music live at the “station.” And record your own story in the tiny shotgun shack on wheels recording booth on the street next to Caddy (built by six high school students from unCommon Construction). Issues of culture, climate, arts, infrastructure, food, family, education and entertainment unfold across the day in an inventive, imaginative, collaborative way.

“Levee Stream” is made possible in part by The Ruth U. Fertel Foundation, Project& and McKenna Properties.

For more information and a complete list of participants visit kitchensisters.org/prospect

Prospect.4: The Lotus in Spite of the Swamp
November 18, 2017 – February 25, 2018
prospectneworleans.org

What: Prospect.4: Levee Stream — Part block party, part soapbox, a live, one-day, pop-up neighborhood Cadillac radio station-installation

Who: Produced by The Kitchen Sisters, Otabenga Jones & Associates, Project&

When: Sunday, November 19, 2017, Noon – 5:00pm

Where: 2500 Bayou Rd, New Orleans (the confluence of Bayou Road, Desoto & No. Dorgenois)

Episode #82: First Day of School, 1960, New Orleans

Episode #82: First Day of School, 1960, New Orleans

Subscribe to the podcast: iTunes | Stitcher | RSS

U.S. Marshals escort Leona Tate, Gail Etienne, and Tessie Prevost from McDonogh #19, November 14, 1960.

U.S. Marshals escort Leona Tate, Gail Etienne, and Tessie Prevost from McDonogh #19, November 14, 1960.

 

November 14, 1960 — Four six-year-old girls, flanked by Federal Marshals, walked through screaming crowds and policemen on horseback as they approached their new schools for the first time. Leona Tate thought it must be Mardi Gras. Gail Etienne thought they were going to kill her.

Four years after the Supreme Court ruled to desegregate schools in Brown v Board of Education, schools in the south were dragging their feet. Finally, in 1960, the NAACP and a daring judge selected two schools in New Orleans to push forward with integration — McDonogh No.19 Elementary and William Frantz.

An application was put in the paper. From 135 families, four girls were selected. They were given psychological tests. Their families were prepared. Members of the Louisiana Legislature took out paid advertisements in the local paper encouraging parents to boycott the schools. There were threats of violence.

When the girls going to McDonogh No. 19 arrived in their classroom, the white children began to disappear.
One by one their parents took them out of school. For a year and a half the girls were the only children in the
school. Guarded night and day, they were not allowed to play outdoors. The windows were covered with brown paper.

The story of integrating the New Orleans Public schools in 1960 told by Leona Tate, Tessie Prevost
Williams, and Gail Etienne Stripling, who integrated McDonogh No.19 Elementary School, and retired Deputy U.S. Marshals Herschel Garner, Al Butler, and Charlie Burks who assisted with the integration efforts at the schools.

Leona Tate in 2017. Photo by Deborah Luster.

Leona Tate in 2017. Photo by Deborah Luster.

 

McDonogh No. 19 in 2017. Photo by Nikki Silva.

McDonogh No. 19 in 2017. Photo by Nikki Silva.

 

This story is part of Levee Stream, our Prospect 4 New Orleans project in collaboration with Otabenga Jones and Associates.

Made possible in part by Ruth U. Fertel Foundation and Project&

Special Thanks to:

Leona Tate — Leona Tate Founation for Change 

Keith Plessy and Phoebe Fergussen — PlessyandFerguson.org

Brenda Square — Amisted Research Center

Brenda Flora — Audiovisual Archivist at Amisted Research Center, Tulane University

Tulane University and their Through a Crowd Bravely Program— Several of the voices in our story were recorded on November, 2010 at Tulane University as part of a reunion and panel discussion on the 50th Anniversary of the integration of public schools in New Orleans. Voices featured from these archival recordings include: Leona Tate Tessie Prevost Williams, Gail Etienne Stripling, and retired Deputy US Marshals Charlie Burks, Herschel Garner and Al Butler. This gathering was the first time the women and the marshals had reunited since November 1960.  

For the WSBN archival news footage thanks toTaylor Chicoine and Ruta Aeolians, Brown Media Archives & Peabody Awards Collection UGA, Special Collections Library

Thanks to National endowment for the Humanities and the National Endowment for the Arts

Episode #81 – Sonic Prayer Flags – New Orleans

Episode #81 – Sonic Prayer Flags – New Orleans

Subscribe to the podcast: iTunes | Stitcher | RSS

Photo by Nikki Silva. Mural by Langston Allston, André Cailloux & Fr. Maistre: The Life, Death of a Black Patriot, 2017, on the former St. Rose De Lima Church, 2541 Bayou Road, produced in partnership with Broad Community Connections.

Photo by Nikki Silva. Mural by Langston Allston, André Cailloux & Fr. Maistre: The Life, Death of a Black Patriot, 2017, on the former St. Rose De Lima Church, 2541 Bayou Road, produced in partnership with Broad Community Connections.

A string of sonic prayer flags — voices and sounds from New Orleans and Bayou Road, the oldest street in the city. Local visionaries, neighborhood entrepreneurs, artists, skateboarders, civil rights activists, musicians, teachers, and more. Listening to the sounds and moods of the City.

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We’ve been recording in New Orleans lately for a project we’re doing as part of Prospect.4 – an exhibit of works by artists from around the world who’ve been invited to create events and artworks throughout the city. The first Prospect New Orleans was created in the aftermath of Katrina – exploring the role of art and artists in the rebuilding of the city. The theme of this fourth Prospect is “The Lotus in Spite of the Swamp.”

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Our project is called “Levee Stream” a five-hour live, street-corner pop-up Cadillac radio station installation on Bayou Road. We’re collaborating with the Houston based artists collective Otabenga Jones & Associates – Jamal Cyrus, Jabari Anderson – who have created a cut-in-half pink Cadillac, with giant speakers in the trunk, and a white plush leather upholstered back seat where guests can sit and converse and be interviewed live on the air. It’s a roving radio station that’s toured to neighborhoods in Houston and Brooklyn – and now New Orleans. The event will take place on Bayou Road and the stories, prayer flags, videos and images will be online at kitchensisters.org and prospectneworleans.org.

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Voices heard in this episode include: David Waggoner, Quintron, Skylar Fein, “Mama” Vera Warren Williams at the Community Book Center, Tootie Montana, Andaiye Alimayu of Zion Trinity and King & Queen Emporium, Carla Williams at Material Life, Keith Plessy, and Aaron Frumin from unCommon Construction.

Prospect New Orleans: Levee Stream

Prospect New Orleans: Levee Stream

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PROSPECT 4: “Levee Stream,” Prospect New Orleans. The legendary Houston arts collective, Otabenga Jones and Associates, and Peabody Award-winning NPR producers, The Kitchen Sisters, and the acclaimed international arts organization, Project& come together on Bayou Road in New Orleans on November 19th. “Levee Stream” is a day of close listening, unusual encounters, neighborhood revelation and food. Of course food.

On Sunday, November 19th, opening weekend of Prospect.4, the legendary Houston arts collective, Otabenga Jones and Associates, Peabody Award-winning NPR producers, The Kitchen Sisters, and the acclaimed arts organization, Project& come together on Bayou Road in New Orleans to present “Levee Stream,” a site specific-street corner-pop-up Cadillac radio station-installation.  

Part block party, part soapbox, “Levee Stream” is live from noon til five, broadcasting at the confluence of Bayou Road, Desoto and N.Dorgenois — a mix of live conversation and interviews with an array of international artists in town for Prospect.4, Bayou Road neighborhood regulars, entrepreneurs and visionaries, New Orleans artists and activists, DJs, live music, and a five hour “sonic prayer flag” that will unfurl across the afternoon and the neighborhood full of New Orleans voices, shards of sound and archival audio. Levee Stream is a day of close listening, unusual encounters, neighborhood revelation and food. Of course food. Meet us on the corner. Hear the stories, voices, visions, issues and music coming live at the “station.” Record your own story in the tiny shotgun shack on wheels (built by six high school students from UnCommon Construction) on the street next to Caddy.

A few of the people and performances appearing live on Sunday afternoon include: Chicken Violins — Rebecca Crenshaw came to New Orleans right after Katrina. A musician and music teacher she signed up with ArtistCorp who were bringing music teachers back in to New Orleans public school after the flood. Robert King and Albert Woodfox of the Angola Three — Robert King spent 29 years in solitary confinement in Angola Penitentiary. Since his release, after being found not guilty, he has worked ceaselessly, on behalf of prisoners rights and for justice and for political prisoners around the world.

A multitude of artists from Prospect.4 will talk of their new works at the corner cadillac station including Hank Willis Thomas, Monique Verdin, John Akomfrah, Xaviera Simmons and more. Gia Hamilton from the Joan Mitchell Center will also be part of the mix. DJ Flash Gordon Parks — Ethnomusicologist, collector, documentarian and DJ. Like Otabenga Jones & Associates, Flash comes from Houston with his crates and his big mind and mouth to spin some music and the stories behind it. Plessy & Ferguson — On June 7,1892 Homer Plessy, a shoemaker and light-skinned, free man of color bought a first class ticket, boarded a train and sat in the whites-only railway car of a New Orleans train in an effort to challenge the segregation laws of the era. Judge John H. Ferguson did the ruling that held in place the Jim Crow “separate but equal” laws that stood in the south, and went to the Supreme Court under the name Plessy vs Ferguson, til the Brown vs Board of Education decision upended it in 1954.

The Sonic Prayer Flag  Voices, stories and shards of sound and music from The Kitchen Sisters haunting and evocative New Orleans sound and storyscape will be part of the live mix of the day. The Jones Sisters — Four New Orleans sisters, age 12-18 who have been singing together for nine years and sing knock-out gospel and organ, and won the Rhythm of Gospel Award for Youth/ Young Adult Artist of the year, will power the station-installation on air at noon on Sunday. Solitary Gardens Artist and social activist, Jackie Sumell, who with Herman Wallace of the Angola Three created the powerful project, “Herman’s House” has ignited a new vision “Solitary Gardens” a project at the intersection of public art, alternative land-use and social sculpture, planting gardens designed after 6×9 solitary confinement cells throughout the city of New Orleans to make graphic the issues of justice, incarceration and solitary confinement and propel and provoke a dialogue with the community and with prisoners. Floating Cities David Waggoner, water visionary and architect with the firm Waggoner & Ball has been at the forefront of designing innovative, sustainable stormwater management plan systems in post-Katrina New Orleans. He speaks his vision, floating streets and water gardens. We’ll also hear from Julia Kumar Drapkin from ISeeChange and Rachel Bruenlin from the Neighborhood Story Project.

Voices and stories from the neighborhood including Dr. Dwight McKenna & Beverly Stanton McKenna, founders of the New Orleans Tribune; creators of Le Musée de Free People of Color; Mama Vera from the Community Book Center, one of the hubs of black culture on Bayou Road in the 7th Ward; and neighborhood stalwart, healer, soapmaker and singer, Sister Andaiye Alimaya of The King and Queen Emporium, whose corner will host the Cadillac. Domino Sound, the mighty vintage record store in the neighborhood will also DJ the day.

Skylar Fein & Skaters from the Parisite Skateboard Park — In the wake of Katrina, after their illegal, unofficial DIY skateboard park was torn down by the city, a group of skateboarders, spearheaded by P.1 artist Skylar Fein, created a nonprofit called Transitional Spaces. In partnership with a construction firm, the city, and Tulane they created Parisite Skate Park, an 18,000 square foot space under Interstate 610 Overpass in Gentilly, the first public skatepark in the New Orleans history

Food will come from the neighborhood and beyond — and will change with the day.  

For more information about Prospect.4: The Lotus in Spite of the Swamp visit prospectneworleans.org

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